Hundreds of artists here did all of the "in-betweening" on Futurama, meaning all of the frames in between the key poses drawn by animators in America. credit Photo: Rough Draft Studios Inside Rough Draft Korea. This production facility is a separate company that often works closely with Rough Draft Studios in California. credit Photo: Rough Draft Studios Rough Draft Korea, located in Seoul. The show is storyboarded at Rough Draft’s Glendale, California, production facility, but these artists only create a tiny fraction of the frames. Rough Draft Studio’s character layout artists Brian LoSchiavo and Chris Minki hard at work. No further thought had to go into it." credit Photo: Sian Kennedy " He did this Yiddishy, marble-mouthed voice, and everyone burst out laughing. "We did not know what he was going to sound like until Billy West came in to audition," says Cohen. On a fact-finding trip to see a space shuttle launched, Cohen decided to name the character after Zoid, a videogame he coded on his Apple II when he was in high school. Cohen as an inversion of Star Trek’s Bones McCoy. His lobsterlike alien race exhibits some characteristics of mollusks, squid, and other sea creatures.) The character was dreamed up by David X. (Mandibles? Maxillapeds? Tentacles? Hard to say. This model sheet charts the movements of Futurama character Dr. This shot demonstrates how the new DVDs make great use of the broader canvas for. The original run of Futurama was formatted for standard square screens. Closer inspection reveals more surprising details. "On a delivery to the Nude Beach Planet, the crew discovers that Fry has a mysterious tattoo of Bender on his buttocks.a tattoo of unknown origin," explains Cohen. His visage is tattooed on the character Fry’s buttocks. "Neat! It’s like looking in a smelly mirror!" says Bender the robot in this scene from the new Futurama DVD, Bender’s Big Score. Pocket Pal will appear for the first time in the second DVD movie.) Groening, the cartoonist behind the brilliant Life in Hell comic strip, sketched what he imagined the characters looked like as the concept for the show was finalized. (He also envisioned a character called Pocket Pal that never appeared in the initial run of the show. Groening dreamed up several of the main characters, such as Fry, Leela, Zap, Kif, and Mom, before he tapped Simpsons writer David Cohen to help develop the concept. "There are good robots and bad robots -just like there are today!" he jokes. "It’s all about hierarchy and taking orders, and there’s a complete absence of nature -it’s only visible through portholes and on video screens." Groening’s take on the future was neither utopian nor dystopian. Groening had a vision for what this future would be like: "The standard motif of all sci-fi on TV is a military future," he says. Futurama would be a workplace comedy set in the year 3000. The Simpsons was a domestic comedy set in the present day. Groening first conceived of the sci-fi-themed show in the mid-1990s, in the wake of the tremendous success of his first show, The Simpsons. Matt Groening in his Santa Monica, California, studio. Here’s a look behind the scenes at how Futurama is made. Now, after becoming a cult hit in syndication and on DVD, the show is returning in the form of four feature-length DVDs. Futurama employed an innovative mix of hand-drawn two-dimensional art, digital color, and 3-D computer animation. The show, which ran for four years on Fox, had terrific writing and voice acting. The crew of the Planet Express ship, stars of the animated comedy Futurama. Credit Courtesy of Twentieth Century Fox Film Corporation
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